Each tune's eq may appear ideal by itself, but if you series them together, suddenly one tune sounds too brilliant (or too dull ...). Tip # 1: keep in mind that any eq changes to your stereo mix impact the whole mix - if you desire to cut 3 db at 80Hz since your mix sounds muddy, keep in mind to inspect how that affects all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is used not simply to control a mix or to add character, but likewise to "print" or send as much level to the master as possible without clipping the signal.
Spacing & Crossfading.
Spacing: there are various philosophies regarding how one should approach the areas put in between songs on a record. Some feel the downbeat of one tune should fall at the start of a brand-new bar, in the tempo of the previous tune (to continue the circulation.) Others think you need to avoid this like the pester, since it lessens the impact. In the end, do whatever feels. There is no standard. Cross-fade your tunes Free Type Instrumentals Trap if you like, or place 6 seconds between them. (2-4 seconds prevails in most popular, non-classical records, however it depends on you.) Final pointer: you may be inclined to master the very same recordings that you mixed, whether it is for monetary factors, innovative factors, or merely since you can. We strongly suggest that you get somebody else to master your project. The objectivity and fresh ears they bring to the table inevitably lead to a stronger, more cohesive album.
Typical areas of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing between songs. Or you might have 10 songs mixed by 3 various engineers in five different studios.
Each tune's eq might seem perfect by itself, however if you series them together, suddenly one song sounds too bright (or too dull ...). Suggestion # 1: keep in mind that any eq modifications to your stereo mix affect the entire mix - if you desire to cut 3 db at 80Hz because your mix sounds muddy, remember to inspect how that impacts all the instruments (e.g. the vocal), not simply the bass guitar and kick drum. Compression: In mastering, this is used not just to control a mix or to include character, however also to "print" or send as much level to the master as possible without clipping the signal.
